“This poignant, beautifully told story of an Iranian-American family is both a great read and a fine introduction to a land and a culture about which it is imperative we Americans inform ourselves as much and as quickly as possible.”— Sigrid Nunez, author of The Last of Her Kind and For Rouenna.

“In this new novel, Nahid Rachlin's powers as a writer and storyteller blaze at their fullest, like the Norooz (New Year's) bonfires that the title alludes to. In an era when fear of Middle Eastern terrorism holds the West in thrall . . . it is refreshing to encounter a genuine and truly multicultural voice, able to speak both from within Persian culture and the American society in which Rachlin now lives and writes. Jumping Over Fire presents the sort of nuanced voice that must be heard if Iranians and Americans are ever to understand one another.” — Carolyne Wright, author of Seasons of Mangoes and Brainfire (Blue Lynx Prize, American Book Award)

“Nahid Rachlin's narrative weaves Iran's recent tumultuous history with more universal human experiences to create a powerful story of love, politics, and migration.”— Persis M. Karim, editor of Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora

“An exploration of cultures and cultural differences; of taboos real and imagined; of belonging and isolation — informative, fascinating, beautifully written and, perhaps most important of all — fun to read!” — Tama Janowitz, author of Peyton Amberg: A Novel and The Slaves of New York

“Jumping Over Fire is a wise and passionate novel about the vast cultural divide, and how it can lead to divided hearts.” — Hilma Wolitzer, author of Hearts, Tunnel of Love, and The Company of Writers

Selected Works

SHORT STORY COLLECTION, A Way Home is a timely and relevant book It collects 20 short stories of fiction, placed in contemporary Iran and the US, that examine the tortured conflicts and cross-cultural issues.
review: Chicago Tribune: In "Crowd of Sorrows Nahid Rachlin weaves a story of displacement and loss, centered on the idea that we build our homes around the people we love. Newly separated from her husband, Zora moves to a seemingly idyllic apartment complex to raise her daughter Anar. From the courtyard, they can see through the wide back windows to the building's young families. Zora imagines play dates and companionship, a place for the family of two to find their footing as the divorce is finalized. Instead, she discovers life at the complex is dominated by jealousies and petty scandals. Just when everything begins to settle, disaster strikes: Anar goes missing. In the search and its aftermath, Zora must come to terms with her ideas about security, independence and motherhood. The writing captures the gasping panic of Anar's disappearance beautifully. In a way, it's a story about the flipside of love: the consuming fear of loss.
REVIEW: NPR: The World, selected as ONE OF THE BEST FOUR BOOKS OF the year, by Christopher Merrill, Director of Iowa International Writing program: "If you want to know what it was like to grow up in Iran this is the book to read. Rachlin, the author of five previous works of fiction, including the much acclaimed Foreigner, begins her story at the age of nine, when she was taken away from the only mother she had ever known—her aunt, as it happens—and returned to a family in which the prospects of her becoming a writer were, at best, dim. But her portrait of the artist in an Islamic country on the verge of dramatic change is filled with light."
"If, as Aristotle reminds us, we are our desire, then who are we if the object of our desire is forbidden? What becomes of us if we are born in one world yet long for another? These are just two of the complex and difficult questions Nahid Rachlin explores and ultimately illuminates in this brave, engrossing, and timely novel. I recommend it highly!"--Andre (Dubus III),author of House of Sand and Fog, and In the Bedroom
"... a rare intimate look at Iranians who are poorer and less educated... I have read (this book) four times by now, and each time I have discovered new layers in it. The voice is cool and pure. Bleak is the right word, if you will understand that bleakness can have a startling beauty."
--Anne Tyler, New York Times Book Review

Interviewed by Jessica Blau, author of The Summer of Naked Swim Parties